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Danny C. Sillada (born April 27, 1963) is a Filipino surrealist painter, poet, philosopher, essayist, musician, performance artist,〔Shar Matingka, “The Surrealistic Reality of Danny Sillada”, (Illustrado ), Dubai, November–December 2008, pp. 52-54. Last retrieved August 30, 2009.〕 and literary, art & cultural critic〔(one of Sillada’s writings in Manila Bulletin ). Last retrieved August 30, 2009.〕 from Mindanao. He was a recipient of 2003 "''Pasidungog'' Centennial Awards" for literary and visual arts,〔Diansay, Dante Palmera. “Cateel Centennial Awardees”, Cateel Centennial Book 2003: Our Heritage, Our Legacy and Our Pride. Published by the Local Government Unit of Cateel, Tesoro Press, Southern Mindanao, Philippines (ISBN 978-971-9359-90-6), (2006), pp. 41-42, 55, 361. 〕〔 a centennial event that was attended by the president of the Philippines Gloria Macapagal-Arroyo in his hometown province in Davao Oriental. In 2005, Sillada was controversial for his artwork titled ''Menstrual Period in Political History'', ''“a satirical take on the recurring political crisis in the Philippines. This controversial mixed media piece (an attempt was made to destroy it at the height of the “Hello Garci” political scandal) reflects the artist’s critical stance toward the power struggles that “are putting our country into pit.””''〔(【引用サイトリンク】title=whatson-expat.com.ph )〕 As a multi-talented artist, Sillada also writes and publishes poetry and philosophical essays both on print and on-line, composes and performs ethnic songs, hip-hop and ethno-techno music at the local Metro Manila alternative venues. He was described in a research paper submitted to the University of Asia and the Pacific as ''“the embodiment of a Filipino who defies the existing trend. His multi-faceted attribute in the humanities, as a Renaissance man, is identical with those of well-rounded historical figures during the Renaissance period in Europe. Sillada is a visual artist recognized in the Philippine art scene for his paintings and installation artworks, a literary writer who is into prose and poetry, a philosopher, whose writings are akin with existentialism, a first-rate performance artist, and also an art-critic."'' An excerpt of the research paper on Danny Sillada submitted to the University of Asia and the Pacific by Michael Marlowe Uy and Katrina Kalaw 〔http://www.spraci.net/news/articles/3721.html〕 is available online.〔(【引用サイトリンク】title=SPRACI - ASIA )〕 He studied priesthood (Roman Catholic) at the Pontifical and Royal University of Santo Tomas〔(【引用サイトリンク】title=University of Santo Tomas - Pontifical and Royal - The Catholic University of the Philippines )〕 and San Carlos Seminary, Philippines, but left his vocation six months before his ordination to the Sacrament of Holy Orders to become a full-time artist. Sillada obtained his BA Philosophy and Literature at the Queen of Apostles College Seminary, Davao (1986); his graduate and post graduate studies in Bachelor in Sacred Theology (1990) and Pastoral Theology (1991) at the University of Santo Tomas, Manila, and his MBA (units) at the Ateneo de Manila University (1993), Philippines. ==Gallery== File:The Messenger in the Land of Broken Promises, 2009, gold leaf & oil on canvas by Danny Sillada.JPG|''The Messenger in the Land of Broken Promises'', 2009 File:When a Mask is no longer a Mask, 2009, oil on canvas by Danny Sillada.JPG|''When a Mask is no longer a Mask'', 2009 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Danny Sillada」の詳細全文を読む スポンサード リンク
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